Within the last years the Nuart Journal established itself as the leading publication for critical commentary on urban art, street art and graffiti. It includes traditional peer-reviewed academic papers as well as more experimental modes of research. It is a site for scholars, artists, curators and independent researchers to publish articles, conversations, reviews, projects and opinion pieces on street art and related topics.
Nuart Journal’s new TRESPASS issue contains:
I. Original Articles
• Erik Hannerz: “The Pretty Vacant: Exploring Absence in Subcultural Graffiti”
• Thomas Chambers: “From Trespasser to Nerd: The Changing Image of Trainspotting in Post-War Britain”
• Marie Hadley, Sarah Hook, Nikolas Orr, Adam Manning & Rewa Wright: “Protest Art on Contested Statues Igniting Conversations about Art, Law, and Justice”
• Heidi Härkönen, Rosa Maria Ballardini, Heidi Pietarinen & Melanie Sarantou: “Nature’s Own Intellectual Creation: Copyright in Creative Expressions of Bioart”
II. Visual Essays
• Adam Void & Chelsea Ragan: “Cut in the Fence”
• Lucy Finchett-Maddock “Bass, Slate and Spray Paint: On the Edge of, and within, Trespass”
• Damian Le Bas & Sam Haggarty: “Unite, Liberate, and Create: A Gypsy, Roma, Traveller Space at Glastonbury”
• Kadri Lind & Sirla: “Keeping the Streets Wild with Stencibility”
• Aida Wilde: “Power Rarely Falls Within the Right Hands”
III. In Conversation
• Carlo McCormick: “Revisiting ‘Trespass: A History of Uncommissioned Urban Art’”
• Daniel “Dusty” Albanese: “Queer Liberation and Street Art: Taking Public Space and Declaring Our Right to Exist”
• Mari Myllylä & Jonna Tolonen: “Graffiti and Street Art Research: An Outsider Perspective”
116 pages, 21 x 28 cm, Softcover
Language: English
Release date: June 2023
Publisher: Nuart Journal
Quickview18,00 €
