Blog

  • Editions of LET’S DISAPPEAR! – BUS126

    The usual LET’S DISAPPEAR! book set comes in a individual box, built by BUS126. But for a few copies the artist had insane ideas how to encase his publication. Ten unique, obsessed to detail boxes, each one an artwork of their own right, are now available in our shop. You want your signed copy wrapped into an 140 year old…

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  • BOE – No condition is permanent

    BOE is part of the design studio Via Grafik which was formed as a graffiti collective in the late nineties. The group has been one of the first German crews which even back then was known for establishing abstract works within a writing context.

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  • CREAM – Mit Köpfchen, Herz und Militanz.

    Potsdam originated writer CREAM started writing traditional graffiti in the early 1990s. When the city of Berlin became his main playground for legal, illegal and abandoned works in the 2000s, his style also began to evolve away from classic forms. Ever since then he forced his five letters into constantly changing shapes.

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  • Nuart Journal – #3 Brand New, You’re Retro: Memory & the City

    “Nuart Journal is a forum for critical commentary on urban art, defined as broadly as possible to include all aspects of both independently sanctioned and unsanctioned art in public space that does not fall under the general rubric of traditional public art practice. Nuart Journal includes traditional peer-reviewed academic papers as well as more experimental modes of research. It is…

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  • San Francisco Sidewalk Inscriptions – Per Englund

    San Francisco, one of the largest cities in California, has a history of graffiti going back to the early 1980s. Just as in every bigger western city around the globe, traditional writing popped up and spread, since the virus traveled through books and movies from New York City. But namewriting as a cultural phenomenon was not new to San Francisco…

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  • Boxcar Magazin – Drei

    The Boxcar Magazine seems to become the new fixed standard concerning high quality publications on painted freight trains. With issue No.3 the author once again digged into his archive and fills up the 56 paged magazine with several gems, spotted in between 2011 and 2019.

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  • Zelle Asphaltkultur – Wir stehen bereit – Screen print

    Zelle Asphaltkultur is a North Rhine-Westphalia based and Europe-wide operating group of artists. Their artworks, which stand between graffiti, agitprop and political art, did attract a great media and virtual echo in the past. Two of their controversial works, which usually appear on trains or along train lines, are now available as high quality screen prints.

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  • Zelle Asphaltkultur – Verhaltet euch ruhig! – Screen print

    Zelle Asphaltkultur is a North Rhine-Westphalia based and Europe-wide operating group of artists. Their artworks, which stand between graffiti, agitprop and political art, did attract a great media and virtual echo in the past. Two of their controversial works, which usually appear on trains or along train lines, are now available as high quality screen prints.

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  • A’DAM GRAFFITY

    Graffiti in Amsterdam has an unique status compared to most European cities where namewriting in public became a New York influenced movement in the 1980s. In the Dutch capital writing has a history dating back to the sixties when political conflicts also left traces on the cities walls as slogans and messages. Based on that groundwork the 1970s punk scene…

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  • Rail Experimental – Belgian Train Worker Art (New edition)

    The author documents the railway workers activity with more than 1000 photographs between 2013-2017. The presented pictures were selected from this growing collection. This publication is a part of a research project: Conceptual Urban Art.

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